Lina

Everything is based on the theme of the circle and the square, apparently divided, but in fact united by a cascade of mysterious objects that glide from above, moving diagonally. The use of chiaroscuro gives the surface three-dimensionality, lending rhythm to its interpretation. This subject freely interprets the collection theme “Beyond form”, a contemporary reinterpretation of pure, rigorous narrative pattern, monochrome shades, and texture: typical of the architectural movement of the 1950s, Brutalism.